Writing a strong Audio Engineer CV
Hiring managers and production leads look for evidence that you can manage signal flow, troubleshoot quickly, and deliver polished audio within the demands of the job. Your CV should name the DAWs, consoles, plug-ins, microphones, and networked audio systems you use, such as Pro Tools, Logic Pro, Ableton Live, Yamaha CL/QL, Avid S6L, Dante, Waves, and iZotope RX. Include concrete deliverables: recorded sessions, broadcast mixes, FOH and monitor duties, dialogue edits, stems, masters, patch lists, stage plots, or client revisions. Credits, venue sizes, artist types, and release formats help employers understand the scale of your experience.
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Three things that matter most
- Separate your experience by environment if relevant: studio recording, live FOH, monitors, broadcast, podcast, or post-production. This helps employers match you to the exact production workflow they need.
- List the actual gear and software you operate, including consoles, DAWs, plug-in suites, wireless systems, and audio networking protocols. Audio roles are often screened for compatibility with an existing rig.
- Include credits and technical deliverables, such as album sessions, live streams, theatre cue sheets, dialogue cleanup, mix stems, or final masters. These details show the kind of audio work you can be trusted to finish.
Skills hiring managers look for
Frequently asked
How do I write an Audio Engineer CV with no professional credits?
Use student projects, independent recordings, live events, podcasts, church sound, theatre productions, or self-produced mixes as evidence of hands-on ability. Name the DAWs, microphones, interfaces, and consoles you used, and describe your role in setup, recording, editing, mixing, or delivery. A small portfolio link with before-and-after audio examples can strengthen an entry-level CV.
Should an Audio Engineer CV include a gear list?
Yes, but keep it targeted rather than exhaustive. Include the consoles, DAWs, plug-ins, wireless systems, measurement tools, and audio networking platforms that are relevant to the roles you want. If you work live sound, mention FOH desks and RF coordination; if you work post, prioritise Pro Tools, iZotope RX, loudness metering, and delivery formats.
What should I include for live sound experience on an Audio Engineer CV?
List the venue size, event type, console used, and whether you handled FOH, monitors, system tech, RF, stage patching, or playback. Mention practical documents and workflows such as input lists, stage plots, show files, line checks, and changeovers. These details show that you understand the pace and pressure of live production.
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